I figured I’d come up with a demo regarding how to bend strings when playing. Bending post is one thing that many people have a problem with since there isn’t a really precise science into it, like there's when fretting notes. When you are bending the string, you’re basically pushing the string up so the current notes bends to some greater note. The issue that individuals encounter is understanding just how far to push the string. Regrettably this is when your feeling of pitch is necessary, you’ll need so that you can precisely hear the pitch to understand if you are bending the string the correct quantity.
Two of the most common string bends would be the whole note bend and also the half note bend. Using the whole note bend, you’re bending the string the equivalence of two frets around the guitar, the half note bend may be the equivalence of just 1 fret around the guitar. The recording below give an excellent explanation of whole note and half note bends as well as provides you with good quality practice advice.
How you can Bend Post
Increase "My Top Picks"
You have to login or register to bookmark/favorite the information.
Hey John! Thanks a lot with this training. Very useful to individuals attempting to “undo” old/improper habits 🙂 How can you prevent other strings from ringing? Ex – Within the example you shown, my G string keep ringing around the return bend. Any ideas to stop this from happening?
Marey – Semper Wollmann states
many thanks john i’m 52 years of age and that i learn bends after 4 decades guitar start of a brand new existence
Within the example you shown, my G string keep ringing around the return bend. Any ideas to stop this from happening?
Andy K states
Thanks a lot for that free training and first and foremost inspiration. I've been a battling player for quite some time as well as your training are not only seen simple to follow but get me playing something which seems like music quickly a tight schedule.
Lincoln subsequently states
Iam a brand new member and i believe this website is excellent. Your lesson on string bending was very informative.
Hi John, i've got a question. Why everytime I’m attempting to bend the string, it's very difficult to push it and my fingers always go below the string beside it? Can there be in whatever way to resolve this?
@ThOliverGuo – to begin with I’ll assume you’re with an guitar? Otherwise, it’s very hard to complete full bends by having an acoustic. That stated, your fingers will slide another string view – and thus your finger might slip slightly beneath the string that you’re pushing – which happens to me too… If you would like, I would perform Google+ Hangouts later today and you may join me together with your webcam and that i can have a look – and demonstrate the way i get it done? If you are interested just tell me.
[email protected] states
Thanks John, it was very useful, good lesson.
Hi John Just tutorial. However have a similar problem as above but may my finger goes right underneath the next string that it is essentially on the top of my finger.Do you consider my guitar requires a set u so the strings sit a little lower is do you consider it’s bad technique and a little more practise.
foshan, that’s somewhat normal for that string that you’re bending towards to become touching your finger… just try modifying the position of the hands / fingers so the string you’re hitting doesn’t exceed your finger. That shouldn’t happen. Your finger shouldn’t go beneath the next string.. however it should touch it as well as move on it.
Slow Blue Solos….
Hey John. In case your playing double stops, how will you bend one string
and never another? Is the fact that a dumb question?
@palerider – in fact you need to do bend another strings too somewhat… however, you learn to mute them so you can’t listen to it when you're doing so.
I have a problem with string noise after i release the curvature. Any tips about who to manage this problem?
One more reason for developing that “finger memory” to understand what lengths to bend, to get towards the preferred note, is the fact that sometimes it’s desirable – along with a awesome effect when used sparingly – to pre-bend a string. This means that you bend up without playing that string, but instead pick it as being you release the bent string back lower. After I was finding out how to bend hitting proper pitch, I discovered it useful to record myself.
Initially I came across on playback which i was consistently a little flat, despite the fact that after i was really doing the work, it sounded Alright to me. It solved the problem to tweak (no pun intended) my finger memory.
Can yu provide us with the connection
between guitar string guage and ‘bending’?
eg, could it be simpler to utilize a .009 inch high-string set .
Are you able to define ‘ringing’.
would you mean ‘buzzing’??’
“Ringing can connect with harmonic
‘interference’ .. while ‘buzzing’is frequently
associated with ‘action’ … ie, distance between string and fret <nominally made the decision to become about .010 inches ..
See: john coruthers … ‘how to put together a guitar’
tkjtkj: Bending is definitely simpler with lighter strings, out of the box learning how to play, generally.
Heavy gauge strings (and excessive string height) is really a the main reason many people quit learning how to play guitar – particularly when learning how to play the F chord cleanly, or “graduating” to barre guitar chords. With heavy strings it may be quite difficult, frustrating or painful, and just probably the most dedicated and determined will endure the discomfort (and often bleeding fingers), when i did after i learned to experience with an inferior no-name electric guitar, a couple of decades ago, with heavy strings and incredibly high action. I do not recommend it, however the upside for me personally was, after i finally got an electrical with light gauge strings, I simply simply travelled across that fingerboard and that i really over-bent the strings because my finger pressure memory was causing me to bend the strings as hard because it did with heavy gauger and poor action.
I needed to re-train myself to not push lower so difficult around the strings (which in turn causes the notes to visit sharp – especially so with jumbo frets) and also to also depend more about pitch instead of pressure to bend up to and including preferred note.
You’re factual that “buzzing"is frequently associated with poor action – frequently string height – and through pushing the string lower too much away from a fret. A string ought to be pressed as closed towards the preferred fret as is practical without muting it (unless of course that’s the preferred result).
“Ringing”, is allowing a string to stay to seem or “ring” while a number of other notes are performed to produce a larger or perhaps a more jangly seem. For instance, whenever you strum a fundamental or “open” C chord, the fingers are put around the the next notes: C (fifth string, 3rd fret) E (fourth string, second fret) C (second string, first fret). But if you strum that full chord additionally you range from the sixth string, 3rd string and first string which ring as open strings to obtain that full seem. Individuals open ringing strings would be the low E, G and E since they're all incorporated within the three notes define the C chord, that are C,E,G. Thus, harmonically they can fit and complement the seem.
Likewise with lead or solo playing, sometime you permit a complementary note – or notes- to ring while picking others to produce a more jangly affect.
Jonas Nm states
I discovered that an excellent reason behind the vibrato + bending: